I am happy to welcome Laurel Ann Nattress, author of the newly released Jane Austen Made Me Do It, to Psychotic State Book Reviews for the first time. Welcome aboard, Laurel Ann!
Monday, October 31, 2011
Guest Author: LAUREL ANN NATTRESS
Posted by Lori at Monday, October 31, 2011 8 comments Links to this post
Sunday, October 30, 2011
THINGS THAT GO BUMP IN THE NIGHT READATHON EXTENDED
Posted by Lori at Sunday, October 30, 2011 0 comments Links to this post
Labels: Things That Go Bump in the Night
MAILBOX MONDAY: October 31, 2011
Here is what I received last week:
Sasha is a popular senior in high school, with excellent grades and no more secrets to hide. She finds herself more and more interested in one boy, Duane Banks, who stands out not because he flaunts his good looks and his achievements at the school like so many, but because he is shy and somewhat withdrawn.
When auditions for the new school play begin, she and Duane both get parts and with the rehearsals, Duane seems to be coming out of his shell, permitting himself to hope and succeed at something. Sasha and Duane become a couple, and their relationships continues to grow.
When the play opens, Sasha’s foster parents attend, but neither of Duane’s parents show up. Duane goes into a depression, and he begins to ignore not only his schoolwork, but also his appearance. She tries to warn his mother to be more concerned, but she resents Sasha’s inserting herself into their private lives and does nothing. Meanwhile, things take a bizarre turn at home for Sasha and then a sudden tragedy makes her wonder whether there’s anybody she can truly trust.
Posted by Lori at Sunday, October 30, 2011 1 comments Links to this post
Labels: Mailbox Monday
Friday, October 28, 2011
Book Review: THE WOMAN IN BLACK: A GHOST STORY by Susan Hill
Austen we cannot, alas, give you, but Susan Hill's remarkable The Woman In Black comes as close as the late twentieth century is likely to provide. Set on the obligatory English moor, on an isolated causeway, the story's hero is Arthur Kipps, an up-and-coming young solicitor who has come north to attend the funeral and settle the estate of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the nursery of the deserted Eel Marsh House, the eerie sound of pony and trap, a child's scream in the fog, and, most dreadfully, and for Kipps most tragically, the woman in black.
The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler-proof positive that that neglected genre, the ghost story, isn't dead after all.
The Woman in Black is a good old fashioned ghost story, with slowly building tension and all out atmosphere. Reading this book left me feeling chilled, as if I had been on the moor myself.
Horror lovers will rejoice over The Woman in Black but don't expect a book chock full of action, gore and/or monsters. You will find none of that here. What you will find is an intriguing story, with the weather and the house being as much characters as the self-titled Woman in Black herself.
This isn't a fast paced book as the story and tension builds with relatively quiet precision. Impatient readers may have a difficult time giving The Woman in Black a chance but it is well worth the dedication. I myself found the book to be a slow starter, so spoiled I have been by Dean Koontz/Bentley Little/John Saul, et al. whose many books start off with a bang. The Woman in Black is more like a measured sizzle, with cracks and pops throughout, until the burn at the end. Although I had guessed somewhat how the story would end it didn't take away from the overall excellence of the story.
Interestingly enough, I found thinking back on the story - - the eerie sounds, the rocking chair moving on its own, the woman in black's appearance - - after I had finished it more chilling than when I was reading it.
I would recommend The Woman in Black for those readers who want a more old fashioned horror story, those who don't want vampires, werewolves, zombies and the like, and who don't care to read about serial killers. It's a quick read and one you won't regret.
The Woman in Black is available for purchase at major booksellers now, including Amazon. I am an Amazon affiliate. If you make a purchase through my link, I will receive a small commission.
FTC Disclosure: This book was borrowed from my local public library. I was neither compensated nor paid in any way for this review.
Posted by Lori at Friday, October 28, 2011 0 comments Links to this post
Labels: Susan Hill, The Woman in Black
Thursday, October 27, 2011
Author Interview: CHERYL CRANE
THE BAD ALWAYS DIE TWICE
by Cheryl Crane
Set in Hollywood, The Bad Always Die Twice is the first of a wildly entertaining series set amidst the bright lights, big egos, and Botoxed brows of Hollywood. It is partly the glitz and glamour of Jackie Collins novels and partly the LA streets of hard-boiled James Ellroy.
Who better to tell this tale than Cheryl Crane, daughter of Hollywood legend Lana Turner and actor-restaurateur Joseph Stephen Crane? Cheryl was involved in the Johnny Stompanato scandal of the same period. She allegedly killed the hoodlum because he threatened to kill her mother.This mystery features Nicki Harper, the daughter of a screen goddess, who is raised in a completely dysfunctional home populated by a cast of crazies but who did not follow in her mother's footsteps. Instead, Nikki is a real estate agent who wants a quiet, comfortable life with a little love and happiness thrown in.
Up until now, Nicki always thought that dead meant dead. But then, film icon Rex March turns up freshly murdered in the bed of Nicki's best friend after being reported dead six months ago. A little distrustful of law enforcement, Nicki feels compelled to solve the murder on her own. Her acquaintances range from the pinnacle of Hollywood royalty to the bottom of Tinseltown's barrel, including a not-so-grieving widow, a conniving younger lover, a best friend with secrets, a jilted mistress, a ''closeted'' confidante, a wacky neighbor, and a scheming business partner. Rex has a gaping hole where his eye used to be, and Nicki knows a lot of people with motives for the murder. The killer is getting ready for a repeat performance, so Nicki must act fast before her own screen fades to black.
Read my review of The Bad Always Die Twice here.
To purchase a copy of The Bad Always Die Twice, please visit my Amazon store. I am an Amazon affiliate. If you make a purchase through my link, I will receive a small commission.
Posted by Lori at Thursday, October 27, 2011 2 comments Links to this post
Labels: Cheryl Crane, Lana Turner, The Bad Always Die Twice
Thursday, October 20, 2011
Book Review: THE BAD ALWAYS DIE TWICE by Cheryl Crane
Who better to tell this tale than Cheryl Crane, daughter of Hollywood legend Lana Turner and actor-restaurateur Joseph Stephen Crane? Cheryl was involved in the Johnny Stompanato scandal of the same period. She allegedly killed the hoodlum because he threatened to kill her mother.This mystery features Nicki Harper, the daughter of a screen goddess, who is raised in a completely dysfunctional home populated by a cast of crazies but who did not follow in her mother's footsteps. Instead, Nikki is a real estate agent who wants a quiet, comfortable life with a little love and happiness thrown in.
Up until now, Nicki always thought that dead meant dead. But then, film icon Rex March turns up freshly murdered in the bed of Nicki's best friend after being reported dead six months ago. A little distrustful of law enforcement, Nicki feels compelled to solve the murder on her own. Her acquaintances range from the pinnacle of Hollywood royalty to the bottom of Tinseltown's barrel, including a not-so-grieving widow, a conniving younger lover, a best friend with secrets, a jilted mistress, a ''closeted'' confidante, a wacky neighbor, and a scheming business partner. Rex has a gaping hole where his eye used to be, and Nicki knows a lot of people with motives for the murder. The killer is getting ready for a repeat performance, so Nicki must act fast before her own screen fades to black.
As a devout and obsessive reader, I am always delighted to discover a new author and/or a new series that I can follow. While author Cheryl Crane is not new to me (her autobiographical account Detour is fascinating and de rigeur Hollywood reading), her new series involving realtor and intrepid detective Nikki Harper is. And if The Bad Always Die Twice is any indication, the series will be a wonderfully pleasing diversion that any reader can eagerly revel in.
I'm not certain which aspect of The Bad Always Die Twice I liked better - - the amateur sleuthing or the classic Hollywood connection. The sleuthing, performed with a stealth like grace by heroine Nikki, was entertaining, breath stopping and nervewracking. Nikki proved to be a feisty character, a tenacious lady who appears to live by the motto "all things are possible". She simply cannot be kept down and she doesn't give up. I immensely enjoyed her as a heroine; she was smart, quick and self sufficient and established herself quickly as a very devoted friend and daughter.
But let's talk about Nikki's mother, the regal, classy and very indomitable Victoria Bordeaux. Victoria was a 1950s movie actress, a sexy siren who still lives her every day as the very elegent star she was once was (and still is for many fans). I absolutely and positively loved her with the passion of a thousand suns. Maybe it was due to author Cheryl Crane's own famous mother but throughout the book, I visualized Lana Turner as Victoria Bordeaux and just thrilled at every scene that included her. To say that Victoria was a scene stealer would be a drastic understatement - - this lady owned every page she was on!
Between these two incredible female characters is indeed a mystery, a "whodunit?", that is clever and will keep you guessing until the end. I was surprised by the reveal, not disappointed in the least, and gratified that Ms. Crane didn't insert characters/plots/red herrings that did not pay off in the end.
Despite being a realtor herself in her "other" life, Ms. Crane is a very adept and able writer. The dialogue is fresh, not forced or stilted, and the characters are a fun panorama of L.A. area residents. Purveyors of home and garden goods will love the references to property amenities while fashion junkies will excite to the designer handbags and shoes. The pages will fly by as you read The Bad Always Die Twice and, if you are like me, you will be left anxious to return to the glamorous Victoria Bordeaux and her Movie Nights with daughter Nikki and her two beloved dogs. The Bad Always Die Twice is the kind of book that you simply won't be able to put down, nor will you want to. Highly recommended and I would beg of Ms. Crane to please include generous doses of Victoria Bordeaux in future books!
The Bad Always Die Twice is available for purchase at major booksellers now, including Amazon. I am an Amazon affiliate. If you make a purchase through my link, I will receive a small commission.
COMING SOON! Interview with author Cheryl Crane!
Review copy of this book provided by BookTrib and Kensington Publishing Corp. in exchange for a fair and honest review. In no way did the provision of the book affect the outcome of my review.
Posted by Lori at Thursday, October 20, 2011 2 comments Links to this post
Labels: Cheryl Crane, The Bad Always Die Twice, Things That Go Bump in the Night
Wednesday, October 19, 2011
Book Review: THE ASSOCIATION by Bentley Little
Posted by Lori at Wednesday, October 19, 2011 0 comments Links to this post
Labels: Bentley Little, The Association, Things That Go Bump in the Night
Friday, October 14, 2011
Author Interview: JAMES HAGERTY
Hi James! Welcome to Psychotic State Book Reviews! I appreciate you taking the time to chat with me and my readers.
JH: Hello Lori and thanks for your interest. I am pleased to talk about my newest mega-novel (411 pages).
You have a new book coming out soon - - Tainted Glass. What can you share with us about this story?
JH: It’s a love story of two gay leather men who get together 40 years later, catalyzed by the murder of a bishop in a casino. It so happens the bishop was once a motorcycle-riding top man--before an epiphany and a physical tragedy turned him into a priest--they’d both interacted with. It’s also a ménage a trois involving the main character’s former wife, a Native American named Dove of Dawn. Her psychic talents help solve the mysterious, deeply Freudian, murder.
What was the most difficult part of writing Tainted Glass?
JH: Balancing grit reality and psychic phenomena from the Beyond. And a celestial, passed-over (to the other side) drag queen. Making that credible. Also presenting the leather lifestyle in such a way as to whet the curiosity, even enlist the sympathy, of a wider straight audience. Making it relevant and credible to them. I want Tainted Glass to strike a universal chord.
The overriding theme in your works - - Tainted Glass, Nut Grass, Voices from the Tomb - - seems to be existentialism. How do you deal with writing about isolation, loneliness and the darker side of human nature?
JH: Or alienation. Those are projections of important components of myself. Therefore, themes I’m especially qualified to write about. Abnormal psychology appeals to me I suppose in the way it did to Jean Genet, Faulkner and Steinbeck, if I may place myself in such exalted company. I want my writing to be a metaphor of the human condition—even though from a darker side.
Which of your works is your favorite?
JH: Nut Grass, Voices from the Tomb and Cathedral Crimes (a prequel to Glass) were training grounds for achieving the more mature and fully realized opus magnus. Therefore I have to say Tainted Glass.
What inspires you in your writing?
JH: A desire to create visual edifices out of words. Similar to painting a picture or building a sculpture from ground up. Most importantly, it’s a desire to connect with the human race, albeit from the back door. I think it’s what the Cosmos wants me to do.
How long have you been writing? Have you always wanted to be a writer?
JH: A long time, off and on for more than 30 years. Joining the Army, its regimented tedium and lack of creative outlets, helped me learn what I really wanted to do. I thank God for steering me away from teaching school, which I wasn’t cut out temperamentally to do. The poor students were spared.
Do you have any particular quirks or necessities while writing that you’d like to share?
JH: Delving into the subconscious and the Beyond. I have a need to intermesh religion and sexuality, particularly deviant sexuality. They share a related aesthetic. The black of priestly robes and the outfit of a leather man. Risky territory I admit yet which I seem driven to explore. I’m compelled to find out how our lives here impact and mean over there. That makes me a sort of theologian.
How about your work area - - do you have a dedicated space or do you write whenever and wherever the mood hits you?
JH: A combination computer and bedroom with a fabulous view of desert mountains. I prefer getting up at 4 a.m. to be rewarded by a resplendent dawn. That may have something to do with my character, Dove of Dawn. An extraordinary woman.
When you aren’t writing, what authors do you enjoy reading?
JH: Currently, murder mysteries to see how the authors do it. That helps with plotting. I also like reading about comparative religion and philosophy. Anything to do with metaphysics or ontology, the nature of reality. Or the study of aesthetics. Even, believe it or not, spirituality.
You are also a talented sculptor. When did you begin sculpting?
JH: I needed a site for scattering three cardboard boxes of family ashes. So I created rust-iron totems or “anthropomorphisms” to properly honor my forebears.
What led you to make art from auto parts and farm implements?
JH: Tractor parts, plows, disks, gears, etc., lying about on the family arm. They interested me more than farming. I saw their aesthetic rather than their functional qualities.
Writing - - and sculpting - - can be a lonely pursuit. How do you handle the solitude?
JH: I’m geared that way. True, I often write about loneliness. More specifically, alienation. I’ve experienced a lot of it. I try to see its positive and formative aspects. At the same time, I aspire to connect with like-minded and I should say, aware, even spiritually inclined readers. I’d have made a great guru in some Himalayan cave.
For some random questions . . . plain or peanut M&Ms?
JH: Peanut. I love peanuts and peanut butter.
Scary books or scary movies?
JH: Not particularly. I generate enough of that on my own.
Halloween or Christmas?
JH: Hard to say. They are opposite faces of the same card. Just like I equate priests and leather men.
Hemingway or Steinbeck?
JH: Again a hard choice. If you asked about Hemingway or Faulkner, I’d say Faulkner. More introspective.
And finally, what one word would best describe Tainted Glass?
JH: Tantalizing.
Thank you so much, James, for stopping by and answering my questions. I enjoyed chatting with you and wish you the best of luck with Tainted Glass!
JH: My pleasure entirely. I hope you’ll enjoy Voices from the Tomb as an overture to the major work it foreshadows.
For more information on James Hagerty's sculpture, please visit his website.
Readers, stay tuned for my review of Voices from the Tomb to be posted here next week!
Posted by Lori at Friday, October 14, 2011 0 comments Links to this post
Labels: James Hagerty, Tainted Glass, Voices From the Tomb
Thursday, October 13, 2011
Guest Author: MARY LYDON SIMONSEN
Thank you, Mary! I am always happy to see you here.
For more information on Mary Lydon Simonsen, please visit her blog.
Please stop by next week for my review of Mr. Darcy's Bite!
Posted by Lori at Thursday, October 13, 2011 3 comments Links to this post
Labels: Mary Lydon Simonsen, Mr. Darcy's Bite, Searching for Pemberley



































