December 31, 2013

MANSON'S RIGHT-HAND MAN SPEAKS OUT by Charles "Tex" Watson




Description:  Manson's Right-Hand Man Speaks Out is an interview with Charles "Tex" Watson, covering ten intriguing subjects chapter by chapter. It provides something for everyone, including factual information for the historian, counsel for parents in raising successful children, research assistance for students, and answers for teenagers. Those searching will find the Truth and see at last how to stop the pain.

My Thoughts on Manson's Right-Hand Man Speaks Out by Charles "Tex" Watson

Since reading Helter Skelter by Vincent Bugliosi and Curt Gentry at the age of 11, the winding and disturbing story of the Manson crimes has stuck with me.  This interest not only led me to read many other true crime books over the years and honed an interest in psychology but also to re-reads of this grandfather of the true crime genre on a regular basis.  

If you have read Helter Skelter, you will quickly recognize Charles "Tex" Watson as the personal executioner of seven people on the nights of August 8 and 9, 1969.  If you have kept current on the post-sentencing lives of the incarcerated Manson Family members, you will also know that Watson alleges to have become a born-again Christian, started his own ministry while in prison as well as marrying and fathering children.  Yes, after butchering a pregnant woman begging for her life and the life of her child, this individual was allowed to become a father himself.  

So why would anyone be interested in reading what this murderer has to say?  I can only answer for myself but as a continuing student of abnormal psychology and true crime, I am always willing to open another book on the Tate murders.  Oh, and it was free for my Kindle.  

So let's talk about this "book", or truthfully, answers to questions submitted to Watson by an investigative journalist.  If you're looking for Watson to take any accountability for his horrific crimes, you won't get it here.  Ever the conman, he places the blame for the vicious murders on Manson, on drugs, on alcohol, on the times, even on rock and roll music.  Basically on anyone but himself.  And while I do think that the crimes wouldn't have happened without Manson, I can hardly keep a straight face and accept that Flower Power played any part whatsoever in the brutal and senseless butchering of people.  

While the crimes themselves are questioned (naturally), Watson gives little input other than the aforesaid placing of blame.   He claims to be sorry, so sorry for the pain and grief he caused but has no good reason for why he has chosen to not say these simple words to the families of his victims.  He claims that his words would mean little.  An apology for the cruelest act possible apparently would mean little but this collection of words we're supposed to swallow.  Okay.

What infuriated me perhaps more than anything else was Watson's assertion that neither he nor the Manson "girls" who also participated in the killings derived any type of enjoyment or pleasure from their acts.  He opines that they killed their victims as a matter of course, expediently, obeying their ultimate master, Manson.  Again, as someone who has read multiple accounts of the crimes and seen crime scene photos and autopsy reports, this is yet another example of Watson's posturing and attempts to con the reader.  His victims were physically and emotionally tortured - - hardly dispatched from this life quickly and robotically. 

Watson also claims that he wanted to leave the so-called Family but was too afraid of Manson to do so.  He wants us to believe that he was Manson's little minion, merely following orders, but he was very assertive and brutal to his victims and Manson was not there.   Consider the title of this work.   He addresses himself as Manson's right-hand man; hardly what you would consider a meek, voiceless and unwilling participant.  He could have walked away at any time.  He made a choice and he made that choice because he was a cold-blooded, vicious killer who wanted to hurt people. 

I was put off by the religious quotes and assertions heavily laced throughout the pages.  I have nothing against religion and my own beliefs but I do not need a multiple murderer to lecture me on how I should live and how our society should raise our children.  I also have no sympathy for Watson's bemoaning his circumstances and how the general public refuses to view him as anything but a murdering monster.  I have no idea if he truly is a Christian but my gut instinct is that Christianity is merely a means to an end (i.e., incarceration) to him and maybe even a money-making venture.  Should I be wrong, I still believe that he owes a debt to society and that is to be paid with his freedom. 

I found it ironic and unintentionally humorous that while he states firmly that he prefers to be called "Charles" and "Tex" was a person he no longer is, he chose to use that very moniker on the cover of this book.  Hypocritical?  Yes.  Looking to sell more books and make more money via the connection with the person he claims to no longer be?  Absolutely. 

And while the journalist/interviewer/author asked a few good questions, there was a serious lack of follow up.  Maybe because the questions were submitted on paper, with Watson replying and no opportunity for the journalist/interviewer/author to expound.  If so, it's a disappointment.  Case in point - Watson claims that Manson and one other Family member returned to the Tate/Polanski home after the murders and changed the crime scene.  There was no follow up question, not even a "Did Manson tell you this himself?"   

In short, I found this book to be a self-serving piece of garbage with an ultimate goal of rehabilitating Watson's image and securing his release from prison.  I don't believe for a moment that he is truly rehabilitated nor that he belongs anywhere but where he currently is.  It's been 45 years since the crimes and he still has yet to take full responsibility for his part on this particularly sad part of American history.  Tex Watson was a conman in 1969 and he remains a conman in 2013.  

 Would I recommend this book?  If you're a serious true crime aficionado with particular leanings toward the Manson crimes, sure - - but don't expect real information or any truth from him.  And only if you manage to snag this book for free, as I did.  Otherwise, give it and its posturing "author" a pass.

Manson's Right-Hand Man Speaks Out by Charles "Tex" Watson is available for purchase at Amazon now.  I am an Amazon affiliate.  I will make a small commission if you make a purchase through my link.

FTC Disclosure:  This book was from my own private collection, purchased by me.  I was neither paid nor compensated in any way for this review.   

October 29, 2013

Guest Post: Victorian Gothic: Victorian Mourning Etiquette and Mentality by Stephanie Carroll


Victorian Gothic: Victorian Mourning Etiquette and Mentality
 
By Stephanie Carroll
 
If you enjoy the following article, you may also enjoy Stephanie Carroll’s Victorian, Gothic novel A White Room now on sale for $0.99 cents!
 
Victorian mourning etiquette consisted of a large set of traditions and expectations that were considered an appropriate way to mourn a death; however, behind the outward expressions of mourning, there were anxieties and struggles going on in the deeper psychology of the Victorian society. Victorian Mourning customs are all over the internet, but this article includes little known facts that have been bolded for your convenience.
 
It’s important to keep in mind that the stages of mourning were different depending on the specific point in the century. Further, Victorian mourning could vary quite a lot from Europe to America and even from one coast to the other. Mourning traditions grew popular out of the United Kingdom after Queen Victoria went into deep mourning when her beloved husband, Prince Albert, died in 1861 at the age of 42. Some customs were less strict or elaborate once they reached America. However, there were some overall traditions that remained relatively the same.
 
The Death
Death was common during the Victorian Era. A large percentage of babies and children died as well as adults. It was a frightening thing as new discoveries about human death spurred more questions than answers. It wasn’t clear if death occurred due the heart stopping or the brain dying and why these things occurred at all. This uncertainty led to a fear that people could be buried or dissected alive.
 
It also led to fears regarding what it meant about the soul if brain death was the ultimate cause of death. People believed the soul resided within the heart or chest cavity, so it made sense that the heart stopping signaled death as this would mean the release of the soul, but if it was the brain, then what did that mean about the soul? Various advancements in knowledge and technology ultimately created fears over the existence of the soul and life after death, which is why Victorians were also quite obsessed with ghosts, séances, and spiritualism.
 
Unlike modern times, death most commonly occurred within the home in result of an illness. Lack of medicine and the use of family members to care for the ill meant that all the messy and difficult parts of an illness were witnessed by the direct relatives. Further, the byproducts of the human body ceasing to function were witnessed and cleaned by family members or by servants in an upper class home. Historians have interpreted the elaborate spectacles surrounding death as a way for people to deal with and overcome the most disturbing and traumatizing realities of death in Victorian society.
 
The Funeral and Burial  
The funerals and burials of the deceased were elaborate shows put on by a family even at their own financial detriment. People considered the bigger and better the funeral, the more the departed had been loved, so many would go above and beyond to prove their affections.
 
The funeral could take place in the home or in a church. People might have a friend of the family sit with the dead for a time or have a waiting mortuary to delay the burial in case of a misdiagnosed death. In the home, there might be a viewing, but not usually in a church unless it was for a very prominent man who would attract more mourners than a house could accommodate. Sometimes people would send out an announcement that the funereal was private to deter a large attendance, but if someone did show up, no one would turn him or her away.
 
A family might hire a normal horse-drawn hearse or one with a glass cover so people could see inside. Carriages and mourners would follow behind the hearse in a dramatic precession down public streets to the cemetery. The family might also hire carriages for some of the attendees, and some families even hired mourners or “mutes” to walk behind the hearse in the procession.
 
Of course the more elaborate each step of the funeral and burial, the better, so families were encouraged to purchase the most expensive coffins, elaborate head stones, mausoleums, and family plots. Further, people would buy large amount of flowers, mourning wardrobes, memorabilia including post mortem photos, known as Memento Mori, and hair jewelry made with locks of hair from the deceased.
 
The funeral business was a huge industry. Many historians believe the popularity of extravagance in funerals originated from the industry’s desire to make money off of the grieving. However, some historians argue that the crossover of extravagant mourning to other aspects of Victorian culture, such as literature, suggests it was much deeper than an economic and fashionable trend.  
 
Inside The Home
The home was prepared after a death to be a quiet, dark solitude of grief. Victorians would cover the mirrors with black sheaths because women were not supposed to partake in any kind of vanity during this time as they should look dreadful from weeping. Someone would drape a piece of black velvet over the portrait of the patriarch if he had passed. They also locked the piano because no one was to play any music, and there would be no dinner parties or festivities in the house for some time. Sometimes other areas of the home were also draped or decorated with black fabric. They would drape the family carriage with black velvet too.
 
There were a variety of traditions to signal outsiders that the house was in mourning. Some people hung black wreaths on the door, or the family covered the doorknobs in white crepe for a child’s death or black crepe for an adult’s death. Markers like these signaled to visitors that they should prepare to speak quietly and quickly so they do not overtax or burden the bereaved. The family might also muffle the doorbell to prevent any loud noises, which would startle the already anxious nerves of those inside. Oftentimes, people would not call upon a family in mourning unless they were close friends or relatives.
 
Public Appearances
Although it wasn’t unheard of to forgo mourning, most people abided by the customs as a sign of sorrow and respect for the dead, especially women and widows in particular. The expectations of mourning were less severe on men who needed to return to work and provide for the family. Women, on the other hand, were expected to isolate themselves for months or even years. It was not acceptable to make or receive calls, attend parties, dances, or any kind of joyous occasion unless it was musical or theatre related. If one attended, she was not to participate in the festivities. This is why Scarlett O’Hara’s dancing in Gone with the Wind was so scandalous.
 
When women did venture out during their mourning, they were supposed to be properly adorned based on the closeness of the person who had died and on how long that person had since passed. A period of mourning was expected to last between six months to two years depending on the relationship to the deceased. It was always acceptable to mourn longer if the individual so desired.
 
Mourning Mentality through Fashion
In the first stage of mourning, known as deep or full mourning, women were expected to wear all black or grey dress with heavy, dull fabrics such as wool or crepe. Their jewelry was usually made of jet, and they would wear long weeping veils that reached almost to the ground. During deep mourning, women would isolate themselves, abstain from joyous occasions, and were encouraged to be emotionally devastated. Etiquette manuals taught that women’s nerves would be so rattled that they might be startled by loud noises, burdened by visitation, and incapable of anything other than weeping.
 
Although devastation was expected, it was not uncommon for men and women in mourning to get married or remarried. At this time, marriage was still an institution of survival, and a woman could not last long without a husband unless her family had the ability to care for her. People generally tried to wait to remarry until after the deep mourning phase ended; however, not all women could survive that long without financial support.
 
Weddings with a bride or groom in mourning would be small and quiet, usually taking place in a family home and only with the closest of family and friends in attendance. The bride or groom in mourning would still wear black mourning garb to the ceremony. Announcements regarding the marriage might go out afterwards.
 
After a period of time, usually a year, a woman could move into half mourning, which was when she could venture out into public more often and add certain colors to her wardrobe, including greys, mauves, and whites. Society expected the transition from mourning garb to cheery colors to be subtle, and many women would transition to a wardrobe of all white before returning to everyday colors.
 
Children were less likely to be placed in mourning garb by adults although in some areas it was still practiced. Older girls would sometimes be clothed in all white for their mourning garb.
 
 
Learn more about Mourning Etiquette and the Death Culture mentality at these websites and experience Victorian Mourning process with Stephanie Carroll’s Victorian, Gothic novel
 A White Room on sale for $0.99 cents until Oct. 31!
 
Stephanie Carroll is the author of Gothic, Victorian novel A White Room, on sale for $0.99 cents for a limited time! As a reporter and community editor, Stephanie Carroll earned first place awards from the National Newspaper Association and from the Nevada Press Association. She holds degrees in history and social science. Her Gothic and magical writing style is inspired by the classic authors Charlotte Perkins Gilman (The Yellow Wallpaper), Frances Hodgson Burnett (The Secret Garden), and Emily Bronte (Wuthering Heights).
Find Stephanie Carroll on Facebook - Twitter - Goodreads or on her website at www.stephaniecarroll.net
 
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About A White Room
At the close of the Victorian Era, society still expected middle-class women to be “the angels of the house,” even as a select few strived to become something more. In this time of change, Emeline Evans dreamed of becoming a nurse. But when her father dies unexpectedly, Emeline sacrifices her ambitions and rescues her family from destitution by marrying John Dorr, a reserved lawyer who can provide for her family. 
 
John moves Emeline to the remote Missouri town of Labellum and into an unusual house where her sorrow and uneasiness edge toward madness. Furniture twists and turns before her eyes, people stare out at her from empty rooms, and the house itself conspires against her. The doctor diagnoses hysteria, but the treatment merely reinforces the house’s grip on her mind.
 
Emeline only finds solace after pursuing an opportunity to serve the poor as an unlicensed nurse. Yet in order to bring comfort to the needy she must secretly defy her husband, whose employer viciously hunts down and prosecutes unlicensed practitioners. Although women are no longer burned at the stake in 1900, disobedience is a symptom of psychological defect, and hysterical women must be controlled.
 
A novel of madness and secrets, A White Room presents a fantastical glimpse into the forgotten cult of domesticity, where one’s own home could become a prison and a woman has to be willing to risk everything to be free.

 
 
 

October 10, 2013

DEVIL'S KNOT: THE TRUE STORY OF THE WEST MEMPHIS THREE by Mara Leveritt






Description:  The West Memphis Three. Accused, convicted…and set free. Do you know their story?

In 2011, one of the greatest miscarriages of justice in American legal history was set right when Damien Echols, Jason Baldwin, and Jessie Misskelley were released after eighteen years in prison. Award-winning journalist Mara Leveritt's Devil's Knot remains the most comprehensive, insightful reporting ever done on the investigation, trials, and convictions of three teenage boys who became known as the West Memphis Three.

For weeks in 1993, after the murders of three eight-year-old boys, police in West Memphis, Arkansas seemed stymied. Then suddenly, detectives charged three teenagers, alleged members of a satanic cult, with the killings. Despite the witch-hunt atmosphere of the trials, and a case which included stunning investigative blunders, a confession riddled with errors, and an absence of physical evidence linking any of the accused to the crime, the teenagers were convicted. Jurors sentenced Jason Baldwin and Jessie Misskelley to life in prison and Damien Echols, the accused ringleader, to death. The guilty verdicts were popular in their home state, even upheld on appeal, and all three remained in prison until their unprecedented release in August 2011.

With close-up views of its key participants, this award-winning account unravels the many tangled knots of this endlessly shocking case, one which will shape the American legal landscape for years to come.




My Thoughts on Devil's Knot: The True Story of the West Memphis Three by Mara Leveritt

From the 1994 convictions of Damien Echols, Jason Baldwin and Jessie Misskelley, I have been interested in this case and read everything I could on it.  Without a doubt, the best resource is Mara Leverett's excellent recounting, Devil's Knot: The True Story of the West Memphis Three.  With the same tenacity and brutal honesty she displayed in The Boys on the Tracks (another excellent read), Ms. Leveritt, an Arkansas resident herself, pulls no punches in shining a harsh light on three young men wrongfully convicted by a community desperate to hold someone accountable for terrible acts. 

Devil's Knot will drop you right into the small town of West Memphis, Arkansas and take you through the crimes, the circus of an investigation, the questioning of suspects, the circumstantial evidence, the trials and the convictions. She brings life to not only the three boys who were killed but the three young men who found themselves at the center of the controversy because of their penchant to wear black, their style in music and their low incomes. 

Having covered the trials for her local paper, Ms. Leveritt has been enmeshed in this case from the beginning and her close proximity to locale and residents is evident in her writing.  It is flawless; not only does she take you to the scene, as mentioned above, but she makes you feel.  I was overwhelmed with feelings of sadness, anger, despair, disgust, rage and loss while reading this book.   Regardless of your feelings on the guilt or innocence of The West Memphis Three, the local police's coercion, laziness and lack of a cohesive investigation, along with the prosecutorial misconduct and the judge's bias, should make your blood boil.    Shoddy police work aside, the trials were anything but fair, allowing community hysteria to take over, evidence to be fabricated and questionable testimony to become expert.  From the start these three young men didn't have a chance and Ms. Leveritt puts that on blast.

In the hands of a lesser journalist, Devil's Knot could easily have become a dime-store paperback; one that told the basic tale, glorifying the violence, but without any real depth.  In Ms. Leveritt's able hands, this is a must-read for not only true crime junkies but also for anyone in the legal field.  This is a lesson on how not to rush to judgment, how not to conduct an investigation, how not to speak to the press. 

While this book was written in 2002, nearly ten years before Echols, Baldwin and Misskelley were released from prison, it's still the best read you will find on the case.  Not a stone was left unturned in Ms. Leveritt's quest to find justice not only for The West Memphis Three but for the children killed. 

I would not hesitate to recommend Devil's Knot to anyone wanting to learn about the investigation into the West Memphis crimes, the trials and the wrongful convictions.  The story of The West Memphis Three and what can happen from public hysteria should scare the hell out of you.

Devil's Knot: The True Story of The West Memphis Three by Mara Leveritt is available for purchase at major booksellers, including Amazon.  I am an Amazon affiliate.  I will make a small commission if you make a purchase through my link. 

For more information on author Mara Leveritt, please visit her website

FTC Disclosure:  This book was from my own private collection, purchased by me.  I was neither paid nor compensated in any way for this review. 



October 7, 2013

THE PRINCESS DIANA CONSPIRACY by Alan Power









Description: The Princess Diana Conspiracy presents extremely incriminating evidence that all democratic nations should embrace. Its proven that the paparazzi were kept away from court through “Political Intervention”; the decision to embalm Diana was taken at a “Diplomatic Level”; MI6 are proven to have perverted the course of justice and are forced into acknowledging they murder people; senior police officers compared their evidence to get their stories straight during the inquest and repeatedly sidestepped crucial questions-just some of the information disclosed.

The authorities are examined both pre and post the Paris attack. Disturbing evidence is presented and questions are raised over Britain’s democracy where the people are supposed to be the law. If you share this books view that this heinous act was intolerable then consider; Diana’s murder needed the nod from someone in a position of considerable power or influence; so, who gave the order?

Post attack, shamefaced authorities were coerced into cooperating with a subterfuge just because the people’s justice endangered one family and, of course, MI6; clearly an abuse of the people’s democracy. This book shows evidence of murder that any honest court would accept.

Murderous monsters assassinated Diana to preserve the status quo; an act of which the Nazi SS or the old KGB would have been proud. But instead of burning books, these people now intimidate writers who seek justice and they are, in my view, guilty of treason. Please read and consider your verdict.

My Thoughts on The Princess Diana Conspiracy by Alan Power

From the year that Diana Spencer married Prince Charles, I became utterly and completely fascinated with her.  That fascination continued until and past her death; like so many, I sat in front of the tv watching news reports about that horrific weekend in Paris and actually cried when watching her funeral, as if I had lost someone close to me. 

Even though it’s been many years since her death, there are still books about her being written and I will anxiously pick each up.  The Princess Diana Conspiracy was no exception.

Author Alan Power wrote this book, convinced that Diana was murdered on orders from the Palace, and shares his theories and gives supporting evidence.  He addresses the infamous white Fiat, driver Henri Paul, the “Tell Me Yes” ring and why he feels that Diana was a threat to the Royal Family. 

While I did find the book interesting and felt that Mr. Power very passionately defended his beliefs, I did struggle with portions of it.  One of Mr. Power’s more fervent views is that Diana and Dodi were engaged at the time of the car accident, planning to marry in October and then living abroad in France.  The author also states that Diana was planning some type of custody fight with Prince Charles, wanting full physical custody of William and Harry and the ability to take them to live abroad.  I just could not take these theories seriously.  Despite her friction with the Royal Family, Diana also had respect for them; she was raised as an upper class British girl who rubbed shoulders with the Royal Family.  No matter how good relations may have been with Prince Charles, without a doubt she would have known that William and Harry could never live outside of England and she could never have sole custody of them. 

I also don’t believe that Dodi Fayed was anything more than a summer fling which would have flickered out by the month the author was claiming they were to be married.  Diana’s friends and confidants all claimed that she was deeply in love with Dr. Hasnat Khan and Dodi was a rebound, a relationship born to make Dr. Khan jealous.  And would she really have elected to marry a man she had spent only six or so weeks with?  Diana was indeed impulsive; if there was talk of marriage, I simply don’t see her going through with it after the initial buzz (including that from the media) wore off.

Harder to accept was the idea that the Palace was behind Diana’s death, with driver Henri Paul and Dodi being collateral damage (and bodyguard Trevor Rees Jones barely surviving).  Would the Palace really consider Diana so much more dangerous because she was dating a Muslim?  Wouldn’t she have been considered a lot more dangerous when she was giving the Panorama interview?  Not only that but it’s been widely reported that the Queen is very close with Prince William.  Would she, or the Duke of Edinburgh, endorse a plan to cause the worst pain a child can endure?

On the plus side, Mr. Power does a very thorough and impressive job in questioning Henri Paul’s level of involvement, complete with a rundown of his finances and legitimate questioning of how certain levels of money came to be in his bank account.  It is a good question and one that remains unanswered. 

The play-by-play of the actual accident is also methodically dissected with plenty of detail regarding timing and eyewitness accounts.  The death of one key player in particular, ruled a suicide, is most definitely questionable. 

The weakest part of the book, in my opinion, is the oversaturation and repetitive nature of the contents.  Reading the same information twice or even three times throughout the course of the book caused it to become tedious and even dull. 

Regardless, I found The Princess Diana Conspiracy to be a good addition to the titles on Princess Diana.  Mr. Power made some good, solid points and whether you believe there was a conspiracy to assassinate the princess or merely an accident, the book will leave you with the sense of tragedy over the loss of an influential woman at too young an age.

The Princess Diana Conspiracy by Alan Power is available for purchase now at major booksellers, including Amazon.  I am an Amazon affiliate.  If you make a purchase through my link, I will receive a small commission. 

FTC Disclosure:  This book was provided to me by the publisher and the lovely people at Pump Up Your Book in exchange for a fair and honest review.  I was neither paid nor compensated.  In no way did the provision of this book affect the outcome of my review. 

October 4, 2013

MEG: A NOVEL OF DEEP TERROR by Steve Alten





Meg:  A Novel of Deep Terror by Steve Alten


Description:  Seven years ago, and seven miles below the surface of the Pacific Ocean, Dr. Jonas Taylor encountered something that changed the course of his life. Once a Navy deep-sea submersible pilot, now a marine paleontologist, Taylor is convinced that a remnant population of Carcharodon megalodon—prehistoric sharks growing up to 70 feet long, that subsisted on whales—lurks at the bottom of the Mariana Trench. When offered the opportunity to return to those crushing depths in search of the Megs, Taylor leaps at the chance… but the quest for scientific knowledge (and personal vindication) becomes a desperate fight for survival, when the most vicious predator that the earth has ever known is freed to once-again hunt the surface.
 
 
My Thoughts on Meg:  A Novel of Deep Terror by Steve Alten

I have long had a fascination with sharks, likely starting with Jaws 2 (which I saw before the original Jaws) and this fascination is fed every summer with Shark Week.  I am terrified of sharks to the point of not getting in the ocean, unless I’m in a boat, and being convinced that if I ever do put a toe into the actual ocean the shark dinner bell will be ringing.  However, I have no problem watching movies and reading books that deal with other people being attacked by said shark(s).  I know, don’t try to figure me out.  Others have tried for years without success.

Naturally, Steve Alten’s meganovel Meg: A Novel of Deep Terror is right up my alley.  Imagine, if you will, that the prehistoric Megalodon, considered extinct for 100,000 years, managed to survive.  And said Megalodon (“Meg”, hence the title of the book) found its way to more populated waters and decided not to limit itself to a diet of merely whales when tasty humans are around.  That would be frightening  enough but the Meg isn’t your ordinary man-eating shark.  Oh no, this fish makes the original Great White from Jaws look like a babe in the woods.  The Meg is some sixty to seventy feet in length with a mouth as large as a two car garage.     Scared yet?

Meg drew me in from the first page until the last.  It’s intense, it’s heart-pounding and it can make you feel claustrophobic, even if you’re not.  How to stop a massive fish whose only purpose is to kill?  And how to survive against such a fish if you’re on its turf, many miles underwater? 

I’m no scientist or oceanographer but author Steve Alten does a bang up job in not only helping the reader to understand the submersibles’ missions but feel as if he or she is right there, alongside the characters.  Did I mention claustrophobia?  Again . . . be prepared. 

The most well fleshed out character is our hero, Jonas Taylor.  His weariness, frustration and fear will jump off the page at you.  For as well defined as he is, the majority of the other characters are primarily supporting and you don’t get the same sense of each of them as you do Taylor.  However, you do get a very good sense of the Meg who, rightfully, is a main character of this tale. 

Like Jaws, Meg makes for fantastic summer reading . . . but it can also be a gratifying read as the leaves are turning and the nights are getting chilly.  I, for one, was grateful to be reading it in the safety of my landlocked home.    It’s a relatively quick read and it’s as fast moving as a blitz attack by a Great White.   It will certainly cause you to wonder if it’s possible the Meg still moves along the darkest corridors of the sea and think twice about what might be circling below you in the ocean.

Pick up Meg and settle in for a less than quiet evening, complete with tension, fear and moments that will make you gasp out loud.

Meg: A Novel of Deep Terror by Steve Alten is available for purchase now at major booksellers, including Amazon.  I am an Amazon affiliate.  I will receive a small commission if you make a purchase through my link. 
For more information on author Steve Alten, please visit his website.
 
FTC Disclosure: This book was borrowed from my local public library. I was neither compensated nor paid in any way for this review.